93 bars of 4/4 at 112 BPM, about 3:19 of playing, on ride, hi-hat and snare.
12 out of 100: straightforward, and the one thing to watch is how often it moves around the kit.
silence through bars 1-4, snare through bars 5-20, ride through bars 21-28, hi-hat through bars 29-52, ride through bars 53-60 and hi-hat through bars 61-68, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 30-52, 62-68 and 85-92 -- 42.7% of every bar the kit plays. Learn that one and most of the song is already under your hands.
30
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
12 out of 100: straightforward, and the one thing to watch is how often it moves around the kit. The beat itself is 9 out of 100; the rest of the number is everything around it.
93 bars, about 3:19 at the written tempo. The course breaks it into 12 exercises over 3 sittings, about 25 minutes each.
ride, hi-hat and snare. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.