224 bars of 4/4 at 140 BPM, about 6:24 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 1-38, ride through bars 39-44, hi-hat through bars 45-76, ride through bars 77-90, hi-hat through bars 91-92 and snare through bars 93-99, and 8 more changes after that.
The beat the song is built on is one bar, played through bars 25-29, 31-35 and 63-67, and 24 more places -- 20.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
167
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x---x-------x---|11 fills to learn, played 28 times: bars 37, 38, 62, 75, 76, 91 and 22 more.
It cuts the song into 51 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
140 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 24 out of 100; the rest of the number is everything around it.
224 bars, about 6:24 at the written tempo. The course breaks it into 51 exercises over 12 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
11 fills to learn, played 28 times: bars 37, 38, 62, 75, 76, 91 and 22 more.