299 bars of 6/4 -- not four -- at 232 BPM, 6:43 of playing on crash, ride, hi-hat, snare, kick and hi-hat foot.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-23, kick and crashes through bars 24-25, hi-hat through bars 26-32, silence through bars 33-40, snare through bars 41-55 and hi-hat through bars 56-64, and 10 more changes after that.
The beat the song is built on is one bar, played through bars 41-43, 45-47 and 49-51, and 15 more places -- 40.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
41
1e+a2e+a3e+a4e+a5e+a6e+a
CC |x-----x-----x-----x-----|
SD |------------x-----------|
BD |X-x-x-x-x-x---x-x-x-x-x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 25 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
232 BPM, in 6/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 34 out of 100; the rest of the number is everything around it.
299 bars, about 6:43 at the written tempo. The course breaks it into 25 exercises over 7 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.