62 bars of 2/4 -- not four -- at 120 BPM, 1:02 of playing on crash, snare and kick.
6 out of 100: straightforward, and the one thing to watch is how often it moves around the kit.
silence through bars 1-10 and snare through bars 11-62.
The beat the song is built on is one bar, played through bars 12-20, 22-30 and 33, and 6 more places -- 85.4% of every bar the kit plays. Learn that one and the song is very nearly finished.
12
1e+a2e+a
CC |----x---|
SD |x-x-x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 5 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 2/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
6 out of 100: straightforward, and the one thing to watch is how often it moves around the kit. The beat itself is 0 out of 100; the rest of the number is everything around it.
62 bars, about 1:02 at the written tempo. The course breaks it into 5 exercises over 2 sittings, about 17 minutes each.
crash, snare and kick. Three pieces and no more -- this one is playable on almost anything with a kick, a snare and something to keep time on.