114 bars of 4/4 at 120 BPM, about 3:48 of playing, on crash, hi-hat, snare, floor tom, kick and hi-hat foot.
86 out of 100. Hard, and what makes it hard is the independence between the hands and the feet.
hi-hat through bars 1-26, snare through bars 27-34, hi-hat through bars 35-42, snare through bars 43-56, hi-hat through bars 57-74 and snare through bars 75-84, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 23-34, 39-50 and 71-80, and 2 more places -- 41.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
27
1...............2...............3...............4...............
CC |x---------------x---------------x---------------x---------------|
SD |----------------x-------------------------------x---------------|
BD |x-------------------------------x-------------------------------|1 fill to learn, played 1 time: bar 114.
It cuts the song into 32 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
86 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 43 out of 100; the rest of the number is everything around it.
114 bars, about 3:48 at the written tempo. The course breaks it into 32 exercises over 11 sittings, about 25 minutes each.
crash, hi-hat, snare, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 1 time: bar 114.