141 bars of 4/4 at 149 BPM, about 3:47 of playing, on crash, snare, mid tom, floor tom and kick.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, snare through bars 5-124, silence through bars 125-128 and snare through bars 129-141.
The beat the song is built on is one bar, played through bars 37-38, 81-82 and 109-115, and 1 more place -- 13.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
37
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |x---x---x---x---|
BD |xxxxxxxxxxxxxxxx|10 fills to learn, played 17 times: bars 12, 20, 28, 36, 39, 40 and 11 more.
It cuts the song into 38 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
149 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
49 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 53 out of 100; the rest of the number is everything around it.
141 bars, about 3:47 at the written tempo. The course breaks it into 38 exercises over 10 sittings, about 29 minutes each.
crash, snare, mid tom, floor tom and kick. Nothing in the part asks for anything else.
10 fills to learn, played 17 times: bars 12, 20, 28, 36, 39, 40 and 11 more.