96 bars of 4/4 at 114 BPM, about 3:22 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 1-16, snare through bars 17-23, hi-hat through bars 24-40, snare through bars 41-55 and hi-hat through bars 56-96.
The beat the song is built on is one bar, played through bars 65-95 -- 32.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
66
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
BD |x-x-x-x-x-x-x-x-|1 fill to learn, played 4 times: bars 8, 16, 32 and 40.
It cuts the song into 16 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
114 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 16 out of 100; the rest of the number is everything around it.
96 bars, about 3:22 at the written tempo. The course breaks it into 16 exercises over 4 sittings, about 29 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
1 fill to learn, played 4 times: bars 8, 16, 32 and 40.