144 bars of 4/4 at 138 BPM, about 4:10 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot.
68 out of 100: demanding, mostly on how many notes a second it asks for.
silence through bars 1-8, ride through bars 9-10, snare through bars 11-16, ride through bars 17-18, snare through bars 19-21 and toms through bars 22-34, and 11 more changes after that.
The beat the song is built on is one bar, played through bars 51-56, 58-64 and 66, and 3 more places -- 20.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
52
1...........2...........3...........4...........
CC |x-----------x-----------x-----------x-----------|
SD |------------------------x-----------------------|
BD |x-----------x-----------x-----------x-----------|14 fills to learn, played 20 times: bars 6, 8, 10, 14, 16, 18 and 14 more.
It cuts the song into 56 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
138 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
68 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 19 out of 100; the rest of the number is everything around it.
144 bars, about 4:10 at the written tempo. The course breaks it into 56 exercises over 18 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 20 times: bars 6, 8, 10, 14, 16, 18 and 14 more.