83 bars of 4/4 at 110 BPM, about 3:01 of playing, on crash, ride, hi-hat, snare and kick.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
snare through bars 1-4, ride through bars 5-24, kick and crashes through bars 25-39, hi-hat through bars 40-57, silence through bars 58-67 and ride through bars 68-83.
The beat the song is built on is a 2-bar phrase, played through bars 5-7, 9-11 and 13-15, and 5 more places -- 32.9% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
5 6
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---x---x---x---|x---x---x---x---|
RD |------------x---|--------x---x---|
SD |--x---x---x---xx|--x---x---x-----|
BD |x---x---x---x---|x---x---x---x-xx|2 fills to learn, played 2 times: bars 4 and 63.
It cuts the song into 12 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 46 out of 100; the rest of the number is everything around it.
83 bars, about 3:01 at the written tempo. The course breaks it into 12 exercises over 4 sittings, about 24 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 2 times: bars 4 and 63.