111 bars of 4/4 at a walking 77 BPM, 5:46 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
77 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-8, hi-hat through bars 9-32, ride through bars 33-38, hi-hat through bars 39-54 and ride through bars 55-111.
The beat the song is built on is one bar, played through bars 34, 36-37 and 57, and 11 more places -- 19.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
34
1.......2.......3.......4.......
CC |----------------------------x---|
RD |x---x---x---x---x---x---x-------|
SD |--gg----x-----gg--g-----x-------|
BD |----x-----------x-----x-----x---|1 fill to learn, played 1 time: bar 111.
It cuts the song into 31 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
77 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
77 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 61 out of 100; the rest of the number is everything around it.
111 bars, about 5:46 at the written tempo. The course breaks it into 31 exercises over 13 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
1 fill to learn, played 1 time: bar 111.