75 bars of 4/4 at a walking 97 BPM, 3:06 of playing, on crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 1-28, ride through bars 29-32, kick and crashes through bars 33-40 and hi-hat through bars 41-75.
The beat the song is built on is a 2-bar phrase, played through bars 10-12, 14-16 and 50-52, and 6 more places -- 33.3% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
10 11
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-|
SD |----x-------x---|----x-------x---|
BD |--------x-x--x--|x-----x---x-----|3 fills to learn, played 10 times: bars 8, 25, 26, 27, 28, 29 and 4 more.
It cuts the song into 17 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
97 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 35 out of 100; the rest of the number is everything around it.
75 bars, about 3:06 at the written tempo. The course breaks it into 17 exercises over 5 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 10 times: bars 8, 25, 26, 27, 28, 29 and 4 more.