101 bars of 4/4 at a walking 88 BPM, 4:35 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 1-24, kick and crashes through bars 25-31, hi-hat through bars 32-52, kick and crashes through bars 53-68, hi-hat through bars 69-84 and silence through bars 85-92, and 1 more change after that.
The beat the song is built on is one bar, played through bars 1, 3 and 5, and 26 more places -- 31.2% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
1
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x------xx-x-----|3 fills to learn, played 3 times: bars 32, 72 and 76.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
88 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
38 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 31 out of 100; the rest of the number is everything around it.
101 bars, about 4:35 at the written tempo. The course breaks it into 18 exercises over 4 sittings, about 29 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 3 times: bars 32, 72 and 76.