135 bars of 4/4 at 144 BPM, about 3:45 of playing, on crash, ride, hi-hat, snare, kick and hi-hat foot.
29 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-8, kick and crashes through bars 9-12, snare through bars 13-24, kick and crashes through bars 25-54, snare through bars 55-56 and kick and crashes through bars 57-63, and 5 more changes after that.
There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 8 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
29 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
135 bars, about 3:45 at the written tempo. The course breaks it into 8 exercises over 2 sittings, about 22 minutes each.
crash, ride, hi-hat, snare, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.