141 bars of 4/4 at 150 BPM, about 3:42 of playing, on crash, ride, hi-hat, snare, mid tom and kick.
81 out of 100. Hard, and what makes it hard is the independence between the hands and the feet.
silence through bars 1-13, hi-hat through bars 14-25, snare through bars 26-34, hi-hat through bars 35-46, snare through bars 47-55 and hi-hat through bars 56-76, and 4 more changes after that.
The beat the song is built on is one bar, played through bars 14-22, 24 and 35-43, and 11 more places -- 58.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
15
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-o-o-o-o-o-o-|
SD |--x---x---x---x-|
BD |xxxxxxxxxxxxxxxx|4 fills to learn, played 12 times: bars 23, 25, 44, 46, 65, 86 and 6 more.
It cuts the song into 22 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
150 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
81 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 78 out of 100; the rest of the number is everything around it.
141 bars, about 3:42 at the written tempo. The course breaks it into 22 exercises over 7 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, mid tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 12 times: bars 23, 25, 44, 46, 65, 86 and 6 more.