87 bars of 4/4 at 134 BPM, about 2:36 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
69 out of 100: demanding, mostly on how many notes a second it asks for.
hi-hat through bars 1-49, silence through bars 50-56 and hi-hat through bars 57-87.
The beat the song is built on is one bar, played through bars 11, 14-15 and 17-19, and 4 more places -- 13.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
11
1e+a2e+a3e+a4e+a
HH |xxxx-xxxxxxx-xo-|
SD |----x-------x---|
BD |x--x---x-xx-----|8 fills to learn, played 21 times: bars 8, 20, 27, 28, 36, 40 and 15 more.
It cuts the song into 34 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
134 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
69 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 67 out of 100; the rest of the number is everything around it.
87 bars, about 2:36 at the written tempo. The course breaks it into 34 exercises over 14 sittings, about 23 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
8 fills to learn, played 21 times: bars 8, 20, 27, 28, 36, 40 and 15 more.