242 bars of 4/4 at a walking 90 BPM, 10:30 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
89 out of 100. Hard, and what makes it hard is how much of it falls off the beat.
hi-hat through bars 3-27, ride through bars 28-41, snare through bars 42-43, hi-hat through bars 44-60, silence through bars 61-113 and hi-hat through bars 114-130, and 7 more changes after that.
The beat the song is built on is one bar, played through bars 3-13, 15-26 and 118-120, and 2 more places -- 17.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
3
1.......2.......3.......4.......
CC |x-------------------------------|
HH |----o---o---o---o---o---o---o---|
SD |--------x---------------x-------|
BD |x---------------x---------------|16 fills to learn, played 19 times: bars 14, 33, 39, 43, 47, 51 and 13 more.
It cuts the song into 68 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
90 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
89 out of 100. Hard, and what makes it hard is how much of it falls off the beat. The beat itself is 38 out of 100; the rest of the number is everything around it.
242 bars, about 10:30 at the written tempo. The course breaks it into 68 exercises over 23 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 19 times: bars 14, 33, 39, 43, 47, 51 and 13 more.