207 bars at 170 BPM -- fast, and 4:52 of it without a break -- on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
78 out of 100: demanding, mostly on the independence between the hands and the feet.
snare through bars 1-9, hi-hat through bars 10-13, snare through bars 14-15, toms through bars 16-17, snare through bars 18-21 and hi-hat through bars 22-23, and 19 more changes after that.
The beat the song is built on is one bar, played through bars 3, 5-12 and 14-15, and 17 more places -- 26.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3
1...........2...........3...........4...........
CC |x-----------x-----------x-----------x-----------|
SD |------------------------x-----------------------|
BD |x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--|7 fills to learn, played 16 times: bars 16, 17, 21, 24, 25, 28 and 10 more.
It cuts the song into 57 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
170 BPM, in 4/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
78 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 60 out of 100; the rest of the number is everything around it.
207 bars, about 4:52 at the written tempo. The course breaks it into 57 exercises over 18 sittings, about 25 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
7 fills to learn, played 16 times: bars 16, 17, 21, 24, 25, 28 and 10 more.