84 bars of 4/4 at 125 BPM, about 2:41 of playing, on crash, hi-hat, snare and kick.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4 and hi-hat through bars 5-84.
The beat the song is built on is one bar, played through bars 5-9, 11 and 13-17, and 17 more places -- 73.4% of every bar the kit plays. Learn that one and the song is very nearly finished.
9
1e+a2e+a3e+a4e+a
CC |--------x-------|
HH |x-g-x-g---g-x-g-|
SD |----x-------x---|
BD |x-------x-------|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 5 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
125 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 36 out of 100; the rest of the number is everything around it.
84 bars, about 2:41 at the written tempo. The course breaks it into 5 exercises over 2 sittings, about 26 minutes each.
crash, hi-hat, snare and kick. Nothing in the part asks for anything else.