305 bars of 4/4 at 145 BPM, about 8:24 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
32 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-25, ride through bars 26-43, hi-hat through bars 44-63, toms through bars 64-96, silence through bars 97-110 and toms through bars 111-127, and 11 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 136-151 and 253-270 -- 15% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
136 137
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---x---x---x---|x---x---x---x---|
SD |--------x-----x-|--------x-------|
BD |x---x-----x-----|x-----x---------|5 fills to learn, played 9 times: bars 25, 43, 63, 111, 113, 127 and 3 more.
It cuts the song into 61 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
145 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
32 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 32 out of 100; the rest of the number is everything around it.
305 bars, about 8:24 at the written tempo. The course breaks it into 61 exercises over 16 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 25, 43, 63, 111, 113, 127 and 3 more.