224 bars at 171 BPM -- fast, and 5:14 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
67 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-7, snare through bars 8-11, hi-hat through bars 12-41, snare through bars 42-43, hi-hat through bars 44-81 and snare through bars 82-84, and 10 more changes after that.
The beat the song is built on is one bar, played through bars 148-154, 162-175 and 180, and 1 more place -- 24.4% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
148
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-------x-------|14 fills to learn, played 27 times: bars 11, 19, 27, 35, 42, 43 and 21 more.
It cuts the song into 77 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
171 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
67 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 38 out of 100; the rest of the number is everything around it.
224 bars, about 5:14 at the written tempo. The course breaks it into 77 exercises over 26 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
14 fills to learn, played 27 times: bars 11, 19, 27, 35, 42, 43 and 21 more.