141 bars at 194 BPM -- fast, and 2:53 of it without a break -- on crash, ride, hi-hat, snare, floor tom and kick.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 2-9, hi-hat through bars 10-18, snare through bars 19-29, kick and crashes through bars 30-33, hi-hat through bars 34-53 and snare through bars 54-69, and 12 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 10, 13-14 and 17-19, and 6 more places -- 11.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18 19
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x-----x-----x---|--x-----x-------|
SD |----------------|------------X---|
BD |x-----x-----x---|--x-----x-x-----|5 fills to learn, played 9 times: bars 21, 29, 32, 41, 112, 124 and 3 more.
It cuts the song into 46 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
194 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 12 out of 100; the rest of the number is everything around it.
141 bars, about 2:53 at the written tempo. The course breaks it into 46 exercises over 13 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 9 times: bars 21, 29, 32, 41, 112, 124 and 3 more.