216 bars of 6/4 -- not four -- at 168 BPM, 7:39 of playing on crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
ride through bars 2-8, hi-hat through bars 9-31, ride through bars 32-40, hi-hat through bars 41-48, ride through bars 49-56 and hi-hat through bars 57-80, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 17, 19 and 21, and 17 more places -- 16.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
26
1.....2.....3.....4.....5.....6.....
HH |x--x--x--x--x--x--x--x--x--x--x--x--|
SD |------------------x-----------------|
BD |x--x-----x--x--x--------------------|12 fills to learn, played 13 times: bars 32, 36, 48, 72, 80, 84 and 7 more.
It cuts the song into 57 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
168 BPM, in 6/4, with the time kept in thirty-second notes. At that speed the thirty-second notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
50 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 41 out of 100; the rest of the number is everything around it.
216 bars, about 7:39 at the written tempo. The course breaks it into 57 exercises over 17 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 13 times: bars 32, 36, 48, 72, 80, 84 and 7 more.