80 bars of 4/4 at 120 BPM, about 2:39 of playing, on ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot.
44 out of 100 -- a fair first song -- with how much of it falls off the beat the part that decides it.
kick and crashes through bar 1, hi-hat through bars 2-11, snare through bars 12-35, kick and crashes through bars 36-39, snare through bars 40-63 and kick and crashes through bars 64-76, and 1 more change after that.
The beat the song is built on is one bar, played through bars 13-14, 16 and 18, and 6 more places -- 30% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
13
1e+a2e+a3e+a4e+a
SD |----x-------x---|
BD |x---x---x---x---|
HF |xxxx-xxxxxxx-xxx|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 23 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with how much of it falls off the beat the part that decides it. The beat itself is 33 out of 100; the rest of the number is everything around it.
80 bars, about 2:39 at the written tempo. The course breaks it into 23 exercises over 8 sittings, about 23 minutes each.
ride, hi-hat, snare, high tom, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.