87 bars of 4/4 at a walking 78 BPM, 4:23 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
74 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-13, hi-hat through bars 14-57, toms through bars 58-61, hi-hat through bars 62-65, silence through bars 66-71 and hi-hat through bars 72-87.
The beat the song is built on is a 2-bar phrase, played through bars 14-16, 18-20 and 30-32, and 5 more places -- 31.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
14 15
1.......2.......3.......4....... 1.......2.......3.......4.......
CC |x-------------------------------|--------------------------------|
HH |----x-x-x-x-x-x-x-x-x-x-x-x-x-x-|x-x-x-x-x-x-x-x-x-x-x-x-x-x-o---|
SD |--------x---------------x-------|--------x---------------x-------|
BD |x---------------x---x-------x---|x-----------x-------x-------x---|3 fills to learn, played 8 times: bars 25, 53, 58, 59, 60, 61 and 2 more.
It cuts the song into 17 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
78 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
74 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 65 out of 100; the rest of the number is everything around it.
87 bars, about 4:23 at the written tempo. The course breaks it into 17 exercises over 8 sittings, about 22 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
3 fills to learn, played 8 times: bars 25, 53, 58, 59, 60, 61 and 2 more.