97 bars of 4/4 at a walking 104 BPM, 3:44 of playing, on crash, hi-hat, snare, mid tom, kick and hi-hat foot.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-16, hi-hat through bars 17-50, kick and crashes through bars 51-52 and hi-hat through bars 53-97.
The beat the song is built on is one bar, played through bars 17-19, 21-23 and 25-27, and 10 more places -- 58.8% of every bar the kit plays. Learn that one and most of the song is already under your hands.
18
1e+a2e+a3e+a4e+a
HH |o-o-o-o-o-o-o-o-|
SD |----x-------x---|
BD |x-------x-x-----|4 fills to learn, played 7 times: bars 52, 58, 61, 62, 63, 64 and 1 more.
It cuts the song into 17 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
104 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 28 out of 100; the rest of the number is everything around it.
97 bars, about 3:44 at the written tempo. The course breaks it into 17 exercises over 5 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 7 times: bars 52, 58, 61, 62, 63, 64 and 1 more.