194 bars at 188 BPM -- fast, and 4:08 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-4, ride through bars 5-14, snare through bars 15-25, hi-hat through bars 26-33, ride through bars 34-37 and hi-hat through bars 38-40, and 17 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 43-45, 47-48 and 91-93, and 3 more places -- 8.2% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
44 45
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---g---x---g---|x---g---x---g---|
SD |--------x-------|--x-----x-----x-|
BD |----x-x---x---x-|----x-x---x-x---|17 fills to learn, played 65 times: bars 8, 14, 24, 25, 32, 33 and 59 more.
It cuts the song into 68 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
188 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
60 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 40 out of 100; the rest of the number is everything around it.
194 bars, about 4:08 at the written tempo. The course breaks it into 68 exercises over 18 sittings, about 28 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
17 fills to learn, played 65 times: bars 8, 14, 24, 25, 32, 33 and 59 more.