172 bars of 4/4 at 136 BPM, about 5:04 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
73 out of 100: demanding, mostly on how many notes a second it asks for.
ride through bar 1, toms through bars 2-6, hi-hat through bars 7-25, toms through bars 26-27, hi-hat through bars 28-49 and kick and crashes through bars 50-58, and 13 more changes after that.
The beat the song is built on is one bar, played through bars 59-71, 113 and 168 -- 9.1% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
59
1...........2...........3...........4...........
CC |x-----------------------------------------------|
SD |x-----------x-----------------------x-----------|
BD |x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--x--|6 fills to learn, played 10 times: bars 1, 2, 3, 4, 26, 58 and 4 more.
It cuts the song into 58 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
136 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
73 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 50 out of 100; the rest of the number is everything around it.
172 bars, about 5:04 at the written tempo. The course breaks it into 58 exercises over 19 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 10 times: bars 1, 2, 3, 4, 26, 58 and 4 more.