207 bars at 165 BPM -- fast, and 5:01 of it without a break -- on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
71 out of 100: demanding, mostly on the independence between the hands and the feet.
toms through bars 1-6, hi-hat through bars 7-33, snare through bars 34-38, hi-hat through bars 39-40, snare through bars 41-44 and hi-hat through bars 45-46, and 23 more changes after that.
The beat the song is built on is one bar, played through bars 3, 39 and 45-46, and 13 more places -- 19.3% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
39
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |--o-o-o-o-o-o-o-|
SD |-x-x-x-x-x-x-x-x|
BD |x-x-x-x-x-x-x-x-|18 fills to learn, played 62 times: bars 1, 2, 4, 6, 13, 14 and 56 more.
It cuts the song into 63 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
165 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
71 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 81 out of 100; the rest of the number is everything around it.
207 bars, about 5:01 at the written tempo. The course breaks it into 63 exercises over 19 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 62 times: bars 1, 2, 4, 6, 13, 14 and 56 more.