162 bars of 4/4 at 152 BPM, about 4:16 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
silence through bars 1-16, snare through bars 17-32, hi-hat through bars 33-40, snare through bars 41-46, hi-hat through bars 47-48 and snare through bars 49-68, and 9 more changes after that.
The beat the song is built on is one bar, played through bars 49-55, 57-63 and 81-87, and 5 more places -- 46.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
49
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x-x-x-x-x-x-x-x-|12 fills to learn, played 22 times: bars 24, 32, 40, 46, 48, 56 and 16 more.
It cuts the song into 38 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
152 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
48 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 33 out of 100; the rest of the number is everything around it.
162 bars, about 4:16 at the written tempo. The course breaks it into 38 exercises over 10 sittings, about 26 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 22 times: bars 24, 32, 40, 46, 48, 56 and 16 more.