64 bars of 4/4 at a walking 92 BPM, 2:47 of playing, on crash, hi-hat, snare, floor tom and kick.
46 out of 100, a step up from a first song, and the work is in how much of it falls off the beat.
toms through bar 1, hi-hat through bars 2-24, silence through bars 25-27, hi-hat through bars 28-31, silence through bars 32-35 and hi-hat through bars 36-39, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 2-3, 10-11 and 19-21, and 4 more places -- 55.1% of every bar the kit plays. Learn that one and most of the song is already under your hands.
10
1e+a2e+a3e+a4e+a
HH |xxxxxxxxxxxxxxo-|
SD |----x-------x---|
BD |x---------x-----|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 13 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
92 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
46 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 45 out of 100; the rest of the number is everything around it.
64 bars, about 2:47 at the written tempo. The course breaks it into 13 exercises over 5 sittings, about 21 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.