121 bars of 4/4 at 112 BPM, about 4:19 of playing, on crash, ride, hi-hat, snare and kick.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 2-74, silence through bars 75-79, snare through bars 80-103, ride through bars 104-113, hi-hat through bars 114-119 and kick and crashes through bars 120-121.
The beat the song is built on is one bar, played through bars 3, 5 and 7, and 32 more places -- 30.4% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
3
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |----------x-----|2 fills to learn, played 5 times: bars 25, 57, 73, 91 and 95.
It cuts the song into 29 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
112 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
39 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 21 out of 100; the rest of the number is everything around it.
121 bars, about 4:19 at the written tempo. The course breaks it into 29 exercises over 8 sittings, about 27 minutes each.
crash, ride, hi-hat, snare and kick. Nothing in the part asks for anything else.
2 fills to learn, played 5 times: bars 25, 57, 73, 91 and 95.