168 bars of 4/4 at 148 BPM, about 4:32 of playing, on crash, ride, snare and kick.
35 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-16, snare through bars 17-32, ride through bars 33-46, kick and crashes through bars 47-48, snare through bars 49-64 and ride through bars 65-86, and 5 more changes after that.
The beat the song is built on is one bar, played through bars 18-20, 22-23 and 26-28, and 15 more places -- 34.6% of every bar the kit plays. That is the spine of it; everything else is what happens around it.
19
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x-x-x-x-----x---|3 fills to learn, played 6 times: bars 56, 96, 97, 144, 145 and 160.
It cuts the song into 23 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
148 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
35 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 30 out of 100; the rest of the number is everything around it.
168 bars, about 4:32 at the written tempo. The course breaks it into 23 exercises over 6 sittings, about 25 minutes each.
crash, ride, snare and kick. Nothing in the part asks for anything else.
3 fills to learn, played 6 times: bars 56, 96, 97, 144, 145 and 160.