149 bars of 4/4 at 120 BPM, about 4:58 of playing, on crash, ride, hi-hat, snare, high tom and kick.
63 out of 100, a step up from a first song, and the work is in how many notes a second it asks for.
silence through bars 1-4 and hi-hat through bars 5-149.
The beat the song is built on is one bar, played through bars 6-10, 13-14 and 16-22, and 21 more places -- 51% of every bar the kit plays. Learn that one and most of the song is already under your hands.
7
1e+a2e+a3e+a4e+a
HH |x-x-x-x-x-x-x-x-|
SD |----x-x-----x-x-|
BD |x-x-----x-x-----|2 fills to learn, played 11 times: bars 4, 58, 60, 66, 68, 94 and 5 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
63 out of 100, a step up from a first song, and the work is in how many notes a second it asks for. The beat itself is 36 out of 100; the rest of the number is everything around it.
149 bars, about 4:58 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
2 fills to learn, played 11 times: bars 4, 58, 60, 66, 68, 94 and 5 more.