129 bars of 4/4 at 137 BPM, about 3:46 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 1-72, snare through bars 73-74, kick and crashes through bars 75-80, snare through bars 81-82, hi-hat through bars 83-113 and snare through bars 114-123, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 5-10, 17-22 and 25, and 3 more places -- 22.5% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |----o---o---o---|
SD |----x-------x---|
BD |x-------x-------|5 fills to learn, played 13 times: bars 39, 40, 64, 81, 82, 89 and 7 more.
It cuts the song into 37 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
137 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 39 out of 100; the rest of the number is everything around it.
129 bars, about 3:46 at the written tempo. The course breaks it into 37 exercises over 8 sittings, about 30 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 13 times: bars 39, 40, 64, 81, 82, 89 and 7 more.