77 bars of 4/4 at a walking 107 BPM, 2:53 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-4, hi-hat through bars 5-24, snare through bars 25-60, hi-hat through bars 61-73 and toms through bars 74-77.
The beat the song is built on is one bar, played through bars 5-11, 17-23 and 25-27, and 7 more places -- 47.2% of every bar the kit plays. Learn that one and most of the song is already under your hands.
25
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |x-xx--x---------|5 fills to learn, played 16 times: bars 28, 36, 61, 62, 63, 64 and 10 more.
It cuts the song into 18 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
107 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
44 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 23 out of 100; the rest of the number is everything around it.
77 bars, about 2:53 at the written tempo. The course breaks it into 18 exercises over 5 sittings, about 28 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 16 times: bars 28, 36, 61, 62, 63, 64 and 10 more.