48 bars at 175 BPM -- fast, and 1:06 of it without a break -- on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
82 out of 100. Hard, and what makes it hard is the independence between the hands and the feet.
hi-hat through bars 1-2, ride through bars 3-8, hi-hat through bars 9-10, ride through bars 11-16, hi-hat through bars 17-23 and snare through bars 24-32, and 1 more change after that.
The beat the song is built on is one bar, played through bars 17-19, 21-23 and 30 -- 14.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
18
1e+a2e+a3e+a4e+a
HH |x---x---x---x---|
SD |--x---x---x---x-|
BD |x---xx--x---xx--|5 fills to learn, played 8 times: bars 8, 13, 14, 15, 16, 20 and 2 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
175 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
82 out of 100. Hard, and what makes it hard is the independence between the hands and the feet. The beat itself is 57 out of 100; the rest of the number is everything around it.
48 bars, about 1:06 at the written tempo. The course breaks it into 24 exercises over 9 sittings, about 25 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
5 fills to learn, played 8 times: bars 8, 13, 14, 15, 16, 20 and 2 more.