77 bars of 4/4 at a walking 108 BPM, 2:51 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
65 out of 100: demanding, mostly on the independence between the hands and the feet.
The time is kept on the hi-hat the whole way through.
The beat the song is built on is one bar, played through bars 1-21, 25-29 and 34 -- 35.5% of every bar the kit plays. Learn that one and most of the song is already under your hands.
1
1.......2.......3.......4.......
HH |-----x---------------x----------|
SD |--------x---------------x----x--|
BD |x------------x------------------|4 fills to learn, played 9 times: bars 32, 36, 38, 39, 41, 43 and 3 more.
It cuts the song into 20 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
108 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
65 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 44 out of 100; the rest of the number is everything around it.
77 bars, about 2:51 at the written tempo. The course breaks it into 20 exercises over 9 sittings, about 22 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
4 fills to learn, played 9 times: bars 32, 36, 38, 39, 41, 43 and 3 more.