117 bars of 4/4 at 130 BPM, about 3:36 of playing, on crash, hi-hat, snare, kick and hi-hat foot.
72 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-45, snare through bars 46-47, silence through bars 48-54, hi-hat through bars 55-78 and silence through bars 79-82, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 5-7, 9-11 and 13-27, and 6 more places -- 85.7% of every bar the kit plays. Learn that one and the song is very nearly finished.
9
1e+a2e+a3e+a4e+a
CC |x---------------|
HH |x-x-x-x-x-x-x-x-|
SD |----x-------x---|
BD |x-x---xx-xx----x|
HF |x-x-x--x-xx-x---|3 fills to learn, played 14 times: bars 4, 8, 12, 28, 46, 54 and 8 more.
It cuts the song into 8 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
72 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 68 out of 100; the rest of the number is everything around it.
117 bars, about 3:36 at the written tempo. The course breaks it into 8 exercises over 3 sittings, about 21 minutes each.
crash, hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.
3 fills to learn, played 14 times: bars 4, 8, 12, 28, 46, 54 and 8 more.