225 bars of 4/4 at 124 BPM, about 7:03 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
66 out of 100: demanding, mostly on how fine the subdivision is.
ride through bars 1-8, hi-hat through bars 9-24, silence through bars 25-28, hi-hat through bars 29-40, kick and crashes through bars 41-49 and hi-hat through bars 50-65, and 20 more changes after that.
The beat the song is built on is one bar, played through bars 29-31, 33-40 and 50-64, and 2 more places -- 18.7% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
29
1...........2...........3...........4...........
HH |o-----------o-----------o-----------o-----------|
SD |------x-----------x-----------x-----------x-----|
BD |x-----------x-----------x-----------x-----------|16 fills to learn, played 26 times: bars 4, 8, 11, 23, 65, 66 and 20 more.
It cuts the song into 69 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
124 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
66 out of 100: demanding, mostly on how fine the subdivision is. The beat itself is 50 out of 100; the rest of the number is everything around it.
225 bars, about 7:03 at the written tempo. The course breaks it into 69 exercises over 22 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
16 fills to learn, played 26 times: bars 4, 8, 11, 23, 65, 66 and 20 more.