163 bars of 4/4 at 144 BPM, about 4:32 of playing, on crash, hi-hat, snare, mid tom, floor tom and kick.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
hi-hat through bars 1-29, kick and crashes through bars 30-31, toms through bars 32-40, hi-hat through bars 41-42, snare through bars 43-45 and toms through bars 46-52, and 10 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 1-18, 25-29 and 53-55, and 2 more places -- 19% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
1 2
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |x---------------|----------------|
HH |----x---x---x---|x---x---x---x---|
SD |--------x-------|--------x-------|
BD |x-----x-----x---|----x-----------|10 fills to learn, played 30 times: bars 43, 44, 45, 46, 47, 48 and 24 more.
It cuts the song into 47 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
144 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
42 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 37 out of 100; the rest of the number is everything around it.
163 bars, about 4:32 at the written tempo. The course breaks it into 47 exercises over 11 sittings, about 29 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
10 fills to learn, played 30 times: bars 43, 44, 45, 46, 47, 48 and 24 more.