77 bars, 4:24, at 70 BPM: slow enough that every note is exposed. Crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick and nothing else.
76 out of 100: demanding, mostly on the independence between the hands and the feet.
silence through bars 1-4, hi-hat through bars 5-18, ride through bars 19-26, hi-hat through bars 27-44 and ride through bars 45-77.
The beat the song is built on is one bar, played through bars 19-21, 23-25 and 45-47, and 3 more places -- 21.9% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
20
1.......2.......3.......4.......
CC |x-------------------------------|
RD |----x---x---x-x-x---x---x---x---|
SD |--------x---------------x-------|
BD |x-----x-------x---x-x-----x---x-|9 fills to learn, played 13 times: bars 17, 26, 29, 38, 43, 44 and 7 more.
It cuts the song into 32 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
70 BPM, in 4/4, with the time kept in thirty-second notes. Slow enough to hear every mistake, which is why the room lets you sit at the written tempo rather than under it.
76 out of 100: demanding, mostly on the independence between the hands and the feet. The beat itself is 59 out of 100; the rest of the number is everything around it.
77 bars, about 4:24 at the written tempo. The course breaks it into 32 exercises over 12 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
9 fills to learn, played 13 times: bars 17, 26, 29, 38, 43, 44 and 7 more.