99 bars of 4/4 at 110 BPM, about 3:36 of playing, on hi-hat, snare, floor tom, kick and hi-hat foot.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bars 1-4, hi-hat through bars 5-8, snare through bars 9-12, hi-hat through bars 13-40, snare through bars 41-44 and hi-hat through bars 45-56, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 13-28, 37-40 and 49-52, and 3 more places -- 39.4% of every bar the kit plays. Learn that one and most of the song is already under your hands.
13
1e+a2e+a3e+a4e+a
HH |--x---x---x---x-|
SD |----x-------x---|
BD |x---x---x---x---|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 33 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
110 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
47 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 30 out of 100; the rest of the number is everything around it.
99 bars, about 3:36 at the written tempo. The course breaks it into 33 exercises over 9 sittings, about 26 minutes each.
hi-hat, snare, floor tom, kick and hi-hat foot. Nothing in the part asks for anything else.