107 bars of 4/4 at 138 BPM, about 3:06 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom and kick.
70 out of 100: demanding, mostly on how many notes a second it asks for.
kick and crashes through bars 1-5, hi-hat through bars 6-20, snare through bars 21-38, ride through bars 39-45, hi-hat through bars 46-56 and snare through bars 57-76, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 21-23, 25 and 27, and 8 more places -- 20.6% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
21
1e+a2e+a3e+a4e+a
CC |x---x---x---x---|
SD |--------x-------|
BD |xxxx-xxxxxxx-xxx|12 fills to learn, played 26 times: bars 4, 6, 7, 8, 14, 18 and 20 more.
It cuts the song into 43 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
138 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
70 out of 100: demanding, mostly on how many notes a second it asks for. The beat itself is 42 out of 100; the rest of the number is everything around it.
107 bars, about 3:06 at the written tempo. The course breaks it into 43 exercises over 14 sittings, about 26 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 26 times: bars 4, 6, 7, 8, 14, 18 and 20 more.