121 bars of 4/4 at 123 BPM, about 3:56 of playing, on crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick.
71 out of 100: demanding, mostly on how much of it falls off the beat.
silence through bars 1-4, hi-hat through bars 5-36, ride through bars 37-53, hi-hat through bars 54-69, toms through bars 70-72 and hi-hat through bars 73-77, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 54-60, 62-68 and 74-76, and 5 more places -- 41% of every bar the kit plays. Learn that one and most of the song is already under your hands.
54
1.....2.....3.....4.....
CC |x-----------x-----------|
HH |----o---o-------o---o---|
SD |------------x-----------|
BD |x-------x-----------x---|6 fills to learn, played 13 times: bars 36, 53, 61, 77, 78, 79 and 7 more.
It cuts the song into 23 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
123 BPM, in 4/4, with the time kept in thirty-second notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
71 out of 100: demanding, mostly on how much of it falls off the beat. The beat itself is 63 out of 100; the rest of the number is everything around it.
121 bars, about 3:56 at the written tempo. The course breaks it into 23 exercises over 8 sittings, about 24 minutes each.
crash, ride, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
6 fills to learn, played 13 times: bars 36, 53, 61, 77, 78, 79 and 7 more.