74 bars of 4/4 at a walking 80 BPM, 3:32 of playing, on crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
snare through bar 1, hi-hat through bars 2-4, ride through bars 5-7, hi-hat through bars 8-16, ride through bars 17-24 and hi-hat through bars 25-40, and 4 more changes after that.
The beat the song is built on is a 2-bar phrase, played through bars 9-11, 13-14 and 33, and 1 more place -- 10.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
9 10
1e+a2e+a3e+a4e+a 1e+a2e+a3e+a4e+a
CC |----x-----------|----------------|
HH |x-x---x-x-x-x-x-|x-x-x-x-x-x-x-x-|
SD |----x-------x---|----x-------x---|
BD |xxx-----x--x---x|x--x--x---x--x--|12 fills to learn, played 45 times: bars 1, 2, 3, 4, 5, 6 and 39 more.
It cuts the song into 36 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
80 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
58 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 47 out of 100; the rest of the number is everything around it.
74 bars, about 3:32 at the written tempo. The course breaks it into 36 exercises over 10 sittings, about 27 minutes each.
crash, ride, hi-hat, snare, mid tom, floor tom, kick and hi-hat foot. That is most of a full kit; the part moves around it rather than sitting in one place.
12 fills to learn, played 45 times: bars 1, 2, 3, 4, 5, 6 and 39 more.