97 bars of 4/4 at 130 BPM, about 2:59 of playing, on hi-hat, snare, kick and hi-hat foot.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-9, snare through bars 10-39, hi-hat through bars 40-48, silence through bars 49-51, hi-hat through bars 52-55 and snare through bars 56-81, and 3 more changes after that.
The beat the song is built on is one bar, played through bars 10-37 and 56-79 -- 66.7% of every bar the kit plays. Learn that one and the song is very nearly finished.
18
1e+a2e+a3e+a4e+a
SD |x-x-x-x-x-x-x-x-|
BD |x-----x-x-x---x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 11 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
130 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
34 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 20 out of 100; the rest of the number is everything around it.
97 bars, about 2:59 at the written tempo. The course breaks it into 11 exercises over 4 sittings, about 20 minutes each.
hi-hat, snare, kick and hi-hat foot. Nothing in the part asks for anything else.