172 bars at 197 BPM -- fast, and 3:30 of it without a break -- on crash, hi-hat, snare, mid tom, floor tom and kick.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it.
silence through bars 1-3, snare through bars 4-20, hi-hat through bars 21-28, snare through bars 29-56, hi-hat through bars 57-69 and snare through bars 70-90, and 6 more changes after that.
The beat the song is built on is one bar, played through bars 5, 7 and 9, and 34 more places -- 22.8% of every bar the kit plays. This one moves around more than most: the beat is where to start, not the whole job.
5
1e+a2e+a3e+a4e+a
CC |x-------x-------|
SD |--------x-------|
BD |x-----x-----x-x-|18 fills to learn, played 32 times: bars 11, 12, 19, 20, 24, 28 and 26 more.
It cuts the song into 56 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
197 BPM, in 4/4, with the time kept in sixteenth notes. At that speed the sixteenth notes are the whole difficulty, so the room will take it down to a quarter of it and climb back.
43 out of 100 -- a fair first song -- with the independence between the hands and the feet the part that decides it. The beat itself is 22 out of 100; the rest of the number is everything around it.
172 bars, about 3:30 at the written tempo. The course breaks it into 56 exercises over 12 sittings, about 31 minutes each.
crash, hi-hat, snare, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.
18 fills to learn, played 32 times: bars 11, 12, 19, 20, 24, 28 and 26 more.