116 bars of 4/4 at a walking 90 BPM, 5:09 of playing, on hi-hat, snare, mid tom, kick and hi-hat foot.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet.
hi-hat through bars 1-56, toms through bars 57-64, hi-hat through bars 65-84 and toms through bars 85-116.
The beat the song is built on is one bar, played through bars 1-56 and 65-84 -- 65.5% of every bar the kit plays. Learn that one and the song is very nearly finished.
1
1e+a2e+a3e+a4e+a
HH |--o-------------|
SD |----x----x-----x|
BD |x-x----x---x-x--|
HF |x---x-x-x-x-x-x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 8 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
90 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
45 out of 100, a step up from a first song, and the work is in the independence between the hands and the feet. The beat itself is 29 out of 100; the rest of the number is everything around it.
116 bars, about 5:09 at the written tempo. The course breaks it into 8 exercises over 3 sittings, about 24 minutes each.
hi-hat, snare, mid tom, kick and hi-hat foot. Nothing in the part asks for anything else.