97 bars of 4/4 at 120 BPM, about 3:14 of playing, on crash, hi-hat, snare, high tom, mid tom, floor tom and kick.
37 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it.
kick and crashes through bar 1, silence through bars 2-5, hi-hat through bars 6-25, silence through bars 26-29, hi-hat through bars 30-61 and silence through bars 62-68, and 2 more changes after that.
The beat the song is built on is one bar, played through bars 6-8, 10-12 and 14-16, and 12 more places -- 54.9% of every bar the kit plays. Learn that one and most of the song is already under your hands.
6
1e+a2e+a3e+a4e+a
CC |--------------x-|
HH |o-xxx-----------|
SD |------x---x-----|
FT |--------------x-|
BD |x-xxx-x---x---x-|There are no fills to speak of: the part holds one beat the whole way through.
It cuts the song into 11 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
37 out of 100 -- a fair first song -- with how often it moves around the kit the part that decides it. The beat itself is 26 out of 100; the rest of the number is everything around it.
97 bars, about 3:14 at the written tempo. The course breaks it into 11 exercises over 3 sittings, about 28 minutes each.
crash, hi-hat, snare, high tom, mid tom, floor tom and kick. That is most of a full kit; the part moves around it rather than sitting in one place.