96 bars of 4/4 at 120 BPM, about 3:46 of playing, on crash, hi-hat, snare, floor tom and kick.
56 out of 100, a step up from a first song, and the work is in how much of it falls off the beat.
silence through bars 1-4, snare through bars 5-18, hi-hat through bars 19-73, silence through bars 74-76, toms through bars 77-79 and silence through bars 80-96.
The beat the song is built on is one bar, played through bars 19-25, 41-47 and 49-55, and 7 more places -- 42.3% of every bar the kit plays. Learn that one and most of the song is already under your hands.
20
1e+a2e+a3e+a4e+a
HH |xxxxxxxxxxxxxxxx|
SD |----x--x----x---|
BD |x---x---x---x---|5 fills to learn, played 10 times: bars 18, 38, 40, 48, 56, 58 and 4 more.
It cuts the song into 24 exercises -- the grooves, the fills, and the joins between sections, which is where players actually come off -- and puts them in the order a teacher would. Each one opens on a reduction you can already play and adds the notes back a rung at a time, with a tempo to reach and a gate to pass before the next.
120 BPM, in 4/4, with the time kept in sixteenth notes. The room plays it at any tempo from a quarter of that up to the written one, against the record where the record can follow.
56 out of 100, a step up from a first song, and the work is in how much of it falls off the beat. The beat itself is 70 out of 100; the rest of the number is everything around it.
96 bars, about 3:46 at the written tempo. The course breaks it into 24 exercises over 7 sittings, about 28 minutes each.
crash, hi-hat, snare, floor tom and kick. Nothing in the part asks for anything else.
5 fills to learn, played 10 times: bars 18, 38, 40, 48, 56, 58 and 4 more.